J. Brahms, "Die Wollust in den Maien"
J. Brahms, "Die Sonne scheint nicht mehr"
Ludwig van Beethoven, Violin Sonata no. 7 in C minor, op. 30 no.2, mvt. 2, mm. 1-4
F.J. Haydn, String Quartet in E-flat Major, op. 76 no. 6,mvt. 4, mm. 1-4
Antonio Vivaldi, Violin Concerto in F major, Op. 8, no, 3,RV 293 (“Autumn” from The Four Seasons), mm. 1-13
Ludwig van Beethoven, Trio for Piano, Flute, and Bassoon, WoO 37, second movement, mm. 1-15.
P. I. Tchaikovsky, Symphony no. 3 in D Major, op. 29, mvt.2, mm. 1-4
Edvard Grieg, Lyric Piece, op. 71 no. 4(“Waldesstille”/“Peace of the Woods”), mm. 1-11
Muzio Clementi: op. 36, no. 3 , mm. 1-26
For this and the following excerpt, the horn part is transposing (horn
in E-flat). This means its written C sounds Eb, a major sixth lower.
It's easiest if you imagine the horn is in bass clef, with the same key
signature as the accompaniment.
Mozart, Concerto for Horn and Orchestra in E-flat Major, K. 447, First movement, mm. 159-174
Lowell Greer is playing a natural horn, without valves. There is a cadenza.
J. Brahms, Variations on a Theme by Haydn, op. 56a, theme
Louise Reichardt, "Durch die bunten Rosenhecken" from Twelve German and Italian Romantic Songs
Ludwig van Beethoven, Piano Trio op. 1, no. 2, ii
Ludwig van Beethoven, Piano Sonata in G minor, op. 49, no. 1
George Frideric Handel, "Comfort ye" from Messiah, HWV 56, no. 2
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