Here is a new post with links to recordings for the semester. The old post (with Theory 2 recordings) is still available on the blog.
Franz Joseph Haydn, Piano Sonata in D Major, Hob. XVI:24, mvt. 2, mm. 1-24
Robert Schumann, “Folk Song” from
Album for the Young, op. 68 (recording from textbook website)
Josephine Lang, "Arabesque" mm. 1-16
Mariana Martines, Sonata in E major, first movement, mm. 1-23
Wolfgang Amadeus Mozart, Rondo for Violin and Orchestra in B-flat Major, K. 269, mm. 256-268
Georg Philip Telemann, Violin Fantasia no. 5 in A Major, mvt. 2 (complete movement)
Franz Joseph Haydn, Piano Sonata in C Major, Hob. XVI:35, mvt. 1, mm. 1-16
Georg Frideric Handel, “And the Glory of the Lord,” ending
Joseph Klug or Johann Sebastian Bach, In dulci jubilo (chorale)
- The group in this recording sings the piece a major third higher than the notated score. Additionally, they sing in English and therefore add a few notes to accommodate the words. However, this is the best recording of this specific arrangement that I've been able to find.
Wolfgang Amadeus Mozart, String Quartet K. 614, mvt. 1, opening
- Listen to this example several times until you are sure you understand where there are pausing points in the music. It won't be obvious from just looking at the score.
Phrases - construction and combinations
Ludwig van Beethoven, Variations on an original theme, WoO34 (theme)
Robert Schumann, “Knight Rupert,” from Album for the Young, Op. 68, no. 12, opening.
Paul Simon, “Kodachrome,” from There Goes Rhymin’ Simon (1972), first verse (aural analysis/no score).
Wolfgang Amadeus Mozart, Piano Sonata in D Major, K. 284, iii.
Franz Joseph Haydn, Piano Sonata no. 15 in C Major, HOB XVI:13, ii
Wolfgang Amadeus Mozart, Variations on an Original Theme, K.500, theme.
Ludwig van Beethoven, Sonata for Violin and Piano in CMinor, op. 30, no. 2, i.
Wolfgang Amadeus Mozart, Piano Sonata in C Major, K. 545, ii.
Phrases - Further considerations
Ludwig van Beethoven, Piano Sonata in C minor, op. 2, no. 1, i
Franz Joseph Haydn, Piano Sonata no. 38, HOB XVI:23, ii
Wolfgang Amadeus Mozart, Sonata for Violin and Piano, K.14, Menuetto secondo en Carillon
Wolfgang Amadeus Mozart, Piano Sonata in B-flat major, K.281, iii
Ludwig van Beethoven, Piano Sonata no. 12 in A-flat major, op. 26, i
Wolfgang Amadeus Mozart, “Die Zufriedenheit,” K. 349
Ludwig van Beethoven, Piano Sonata no. 11, op. 22, iii
Ludwig van Beethoven, Piano Sonata no. 7, op. 10, no. 3, iii
Wolfgang Amadeus Mozart, Piano Sonata in C major, K. 309, i
Ludwig van Beethoven, Piano Sonata no. 3, op 2, no. 3, i
Wolfgang Amadeus Mozart, Serenade in G major, K. 525 (“Eine kleine Nachtmusik”), i
Wolfgang Amadeus Mozart, Piano Sonata in C major, K. 309, iii, mm. 1-40
Example 20. Mozart, Piano Sonata in D Major, K. 284, third movement, Theme
Example 23. Haydn, Canon "Thy voice, O harmony, is divine"
Example 24. Beethoven, Piano Sonata op. 10 no. 1, i (opening)
Example 25. Wagner, Overture to Tannhauser, mm. 12-23
Example 28. Beethoven, Symphony no. 5, i, mm. 1-12
Example 29. Brahms, Handel Variations op. 24, Fugue
- a) mm. 10-16
- b) mm. 293-297
Examples from the "Compound Melody" handout:
- Franz Schubert, "Im Frühling," op. 101, no. 1, (D. 882)--again, including some chromaticism (recording is in F major).
- Franz Schubert, "Wandrers Nachtlied", op. 4, no. 3 (D. 224)-example contains some chromaticism (recording in EbM)
- W.A. Mozart, "Voi che sapete" from Le nozze di Figaro, mm. 62 ff
- R. Schumann, "Little Folk Song," from Album for the Young, op. 68
Example 32. Franz Schubert, “Ständchen” from Schwanengesang, D. 957, mm. 1-10
Example 33. Johann Sebastian Bach, St. Matthew Passion (B.W.V. 244), no. 16 “Ich bin’s, ich sollte büßen”
Example 34. Frédéric Chopin, Prelude in C minor, op. 28, no. 20
Example 35. Wolfgang Amadeus Mozart, Symphony no. 40 in G minor, K. 550, i (opening)
Example 36. Johann Sebastian Bach, Prelude no. 1 in C Major from The Well-Tempered Klavier, B.W.V. 846
Example 37. Robert Schumann, Liederkreis, op. 39, no. 7, “Auf einer Berg”
Example 38. Wolfgang Amadeus Mozart, “Der Hölle Rache kocht in meinem Herzen” (Queen of the Night aria) from Die Zauberflote, mm. 24-32
Example 39. “Autumn Leaves” (music by Joseph Kosma, English lyrics by Johnny Mercer).
- This is in lead-sheet notation, so you don't have all the details on the performances.
- Here's one by Frank Sinatra;
- here's another by Chet Baker and Paul Desmond
- and here are the backing tracks without the melody
Example 40. Johann Pachelbel, Canon in D, opening.
Example 41. Niccolo Paganini, 24 Caprices for Solo Violin, no. 24, Theme.
Example 42. Wolfgang Amadeus Mozart, Quintet for Piano and Winds, K. 452, i, mm. 9-12
Complete movements. Identify sequences.
Georg Frideric Handel, “V’adoro, pupille” from Giulio Cesare, HWV 17
Georg Frideric Handel, “Rejoice greatly” from Messiah, HWV 56
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For your information, you may listen to other examples in the textbook at the following link: http://highered.mheducation.com/sites/0073137944/information_center_view0/index.html
From the box labeled "Online learning center" on the left, click
"Student Edition." Then, on the top left, choose "mp3s" from the
drop-down menu, followed by the specific chapter or "Anthology." Some
chapters have a pdf for Additional Study
