Example 9.15 is in the key E major. Overall, the voices move in stepwise motion, with few leaps (Do-Sol and Sol-Fa). The length of the tonal areas is the common, simplistic way first introduced in class. In this case, however, the vii diminished chord is acting in place of the V chord. The rhythm of this example is repeated with basically every other measure being rhythmically similar. There was minimal rhythmic complexity, with quarter, eighth, and half notes in the majority. The embellishing tones used in this canon are frequently passing tones.
This blog was created in Spring 2020 for level-1 music theory and ear training classes at West Liberty University. We're continuing to use this blog through level 4. This is your last semester of Theory and Ear Training! Make it your best one!
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Recordings for class - Fall 2021 (Th4)
Luise Reichardt, Frühlingslied Luise Reichardt, Unruhiger Schlaf Steely Dan, " The Fez " Scott Joplin, The Augustan Waltz(es) Fred...
Tuesday, March 16, 2021
Jenkins Canon Analysis (9.15)
Example 9.15 is in the key E major. Overall, the voices move in stepwise motion, with few leaps (Do-Sol and Sol-Fa). The length of the tonal areas is the common, simplistic way first introduced in class. In this case, however, the vii diminished chord is acting in place of the V chord. The rhythm of this example is repeated with basically every other measure being rhythmically similar. There was minimal rhythmic complexity, with quarter, eighth, and half notes in the majority. The embellishing tones used in this canon are frequently passing tones.
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I'm sorry about the sections where the audio is gone, but I think you can tell what I am trying to say if you look at the animations an...
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https://youtu.be/GkgkEV7f7y8
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